The Socratic Dialogues - Plato Audiobook

Written by Plato
Read by David Rintoul, Hugh Ross, Laurence Kennedy, David Timson, Peter Kenny, Hayward Morse, Sam Dale
Format: MP3
Bitrate: 96 Kbps
Unabridged

Early Period, Volume 1
Here are the Socratic Dialogues presented as Plato designed them to be - living discussions between friends and protagonists, with the personality of Socrates himself coming alive as he deals with a host of subjects, from justice and inspiration to courage, poetry and the gods.
Plato’s Socratic Dialogues provide a bedrock for classical Western philosophy. For centuries they have been read, studied and discussed via the flat pages of books, but the ideal medium for them is the spoken word. Some are genuine dialogues while some are dialogues reported by a narrator supposedly at a later date.
Ukemi Audiobooks presents all of the Socratic Dialogues in a series of recordings divided into Early Period (Volumes 1 & 2), Middle Period (Volumes 1 & 2) and Late Period (Volume 1) - based on their likely composition by Plato. This opening volume starts with perhaps the most famous speech, The Apology, Socrates’ doomed defence against the charge of heresy and corrupting the young. It is followed by Crito, in which Socrates’ friend offers to spirit him out of Athens to avoid execution. Among the others are discussions on Courage (Laches), and Friendship (Lysis).
The role of Socrates is taken by David Rintoul, a widely admired and experienced audiobook reader who studied philosophy at university before taking a different path to RADA, TV, theatre and film. He is joined by a broad range of readers, most known to Audible listeners. Each Dialogue is prefaced with a short introduction to set the scene for newcomers to Plato. Translation: Benjamin Jowett.

Early Period, Volume 2
Here, in this second collection of Socratic Dialogues from Plato’s Early Period, read by David Rintoul as Socrates with a full cast, are contrasting six works. Often, as with Gorgias, which opens the recording, Socrates combats the popular subjects of sophistry and rhetoric, in direct conversation with Gorgias (a leading sophist teacher), and with one of his pupils, Callicles.
In Meno, Socrates encounters another Gorgias pupil, Meno, and a debate on ‘virtue’ ensues. Virtue is also the topic in Protagoras, though this dialogue is largely narrated by Socrates (David Rintoul), who ‘reports’ the conversation which had taken place shortly before.
Euthydemus is one of the most entertaining of all the Socratic Dialogues, with the two vastly overconfident brothers Euthydemus and Dionysodorus, supposedly capable wrestlers, boxers and musicians, who have come to Athens to teach sophistry. They enter into philosophical debate with Socrates, who at times is almost amazed by their brash sense of superiority.
The Lesser Hippias dialogue considers issues of morality, truth and lies, with reference to Homer’s great characters Achilles and Odysseus, while the Greater Hippias enquires into the nature of beauty. Translation: Benjamin Jowett.

Middle Period, Volume 1
Here are three important but very different Dialogues from the Middle Period. Symposium, the most well-known in this collection, is concerned with the theme of love. In the house of Agathon, a group of friends - each very different in personality and background - meet to consider and discuss various kinds of love. Each one, Phaedrus, Pausanias, Eryximachus, Aristophanes (the playwright) and Agathon (a prize-winning tragic poet), presents his particular view in a short discourse until Socrates speaks at greater length. This would be the end except that, unexpectedly, Alcibiades (the vain general and controversial statesman) arrives, rather worse for drink, and makes his loud contribution with direct references to his personal relationship with Socrates. Symposium is an absorbing Dialogue, related, however, by one man - Apollodorus. It is read here by Hugh Ross.
Phaedo is a very different Dialogue. It contains the moving account of the last hours of Socrates. Condemned to death by the Athenian court for impiety and the corruption of youth, he has been ordered to commit suicide. Friends gather around him on this last day, but even at such a moment Socrates chooses to spend the time considering the nature of the soul, whether it is immortal and what may happen after death. It concludes with a description of his final moments.
In Theaetetus, Socrates engages with a young mathematician on the definition of knowledge, the examined life, and how the active life compares with the contemplative life. Translation by Benjamin Jowett.

Middle Period, Volume 2
The remarkable range of Plato’s Dialogues is vividly demonstrated by these three works.
It opens with Phaedrus, a highly personal discussion between Socrates (David Rintoul) and the young, love-struck Phaedrus (Gunnar Cauthery). They go for a walk outside the walls of Athens and, under a plane tree by the banks of the Ilissus, talk about love - erotic and ‘Platonic’. Socrates endeavours to steer Phaedrus away from infatuation and show him that real love is based on concern for the beloved while also delivering a pointed criticism against lack of clarity in thought and expression!
The subject of Cratylus is the meaning and etymology of names and words - a Dialogue unlike any other. Why is Zeus called Zeus? What is the origin of the names of Pallas Athene, Poseidon, Uranus? And how did psuche come to mean ’soul’ and soma body? Attic Greek, the Greek of Plato’s day, is prominent here, and care has been taken in the appropriate pronunciation for this recording.
Finally, there is Parmenides, often regarded as the most challenging of all the Dialogues. Cephalus (Laurence Kennedy) repeats a discussion he heard between Socrates, Zeno and Parmenides as Socrates defends pluralist views and the theory of forms against monism. Translation by Benjamin Jowett.

Middle Period, Volume 3
The Republic is perhaps the single most important, the most studied and the most quoted text of all of Plato’s Socratic Dialogues. Through the medium of Socrates, Plato outlines his view and ideas concerning the ideal working of the city-state.
Socrates narrates a conversation that took place the previous day with Cephalus, Glaucon, Thrasymachus and others. The dialogue is organised into 10 books and covers a broad range of topics, including the ideal community, the ideal rulers of the community - philosophers and the philosopher king - and various forms of government, including timocracy, oligarchy, democracy and tyranny.
Part of the Ukemi recording of the complete Socratic Dialogues by Plato, it uses the classic translation by Benjamin Jowett and is read with authority by David Rintoul.

Late Period, Volume 1
These five very different Socratic Dialogues date from Plato’s later period, when he was revisiting his early thoughts and conclusions and showing a willingness for revision.
In Timaeus (mainly a monologue read by David Timson in the title role), Plato considers cosmology in terms of the nature and structure of the universe, the ever-changing physical world and the unchanging eternal world. And he proposes a demiurge as a benevolent creator God.
Though unfinished, Critias (read by Peter Kenny) is a fascinating document in which Plato tells the story of the strong island empire of Atlantis and reports of a more ideal Athens in the past.
In Sophist, Plato questions the nature of the sophist and how he differs from a statesman or a philosopher.
In Statesman, Plato questions his earlier projection as the philosopher king as the ideal ruler (The Republic) and considers the importance of other issues such as political awareness.
In Philebus, Plato’s spotlight falls on hedonism, the life of pleasure - and the balance offered by wisdom and intelligence. Translation by Benjamin Jowett.

Late Period, Volume 2
The Laws is the longest of Plato’s Dialogues and actually doesn’t feature Socrates at all - the principal figure taking the lead is the ‘Athenian Stranger’ who engages two older men in the discussion, Cleinias (from Crete) and Megillus (from Sparta).
The Dialogue is set in Crete, and the three men embark on a pilgrimage from Knossus to the cave of Dicte, where, legend reports, Zeus was born. The topic under examination is the making of laws appropriate for a well-ordered city: having considered this in The Republic many years earlier, Plato is now taking a less idealistic view and presenting more practical and earthbound proposals, based on law rather than the philosopher-king. It is significant that each of the participants comes from a city with a different system of government: a democracy (Athenian Stranger), a monarchy (Crete) and an oligarchy (Sparta).
The Laws is divided into 12 books. Though Socrates is not involved, it can be counted a Socratic Dialogue in terms of form and structure. The Athenian Stranger is played by Laurence Kennedy, with Hayward Morse as Cleinias and Sam Dale as Megillus. The translation is by Benjamin Jowett.

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